Gaming is in its golden age, and big and small players alike are maneuvering like kings and queens in A Game of Thrones. Register now for our GamesBeat 2015
event, Oct. 12-Oct.13, where we'll explore strategies in the new world of gaming.
From the moment Operation Raccoon City starts, you know you’re not sitting down to the typical Resident Evil experience. The title screen music is a remix of one of the franchise’s most familiar themes, seemingly as a throwback to Marilyn Manson’s edgy take from the first film’s soundtrack. It’s faster-paced and more synthesized than Resident Evil generally tends to be, and deftly represents the game you’re about to play.
Unfortunately, the title screen is the only thing in ORC that isn’t riddled with imperfections.
WHAT YOU’LL LIKE
The entire campaign can be completed in roughly 3-4 hours (there are only seven chapters averaging 30 minutes a pop). Like with Halo or Left 4 Dead, part of the fun is going back and trying to master the hardest difficulties with friends. There are a handful of Achievements specifically for doing precisely that, so you’ll definitely get some decent mileage out of the story mode. You will need friends though, as the Umbrella Special Services (U.S.S.) squad’s artificial intelligence is completely useless. Though either way you’ll also get a lot of frustration out of the game’s annoying boss battles, sadly.
If you prefer competitive over cooperative, ORC has a lot to offer for up to eight players (four-on-four). Team Attack is the typical team deathmatch mode, but with zombies acting as the secret sauce. The inclusion of the walking dead throws a constant wrench into standard versus gameplay, as they’ll occasionally grab you at the worst possible time, or infect you with the T-Virus (which then allows you take to friendly fire), or a hunter will pounce on you as you’re attempting to flee from or chase down an enemy player. This is true across all of the multiplayer modes, and even though the zombies can often be avoided or outrun, just knowing they’re there adds an important layer that helps differentiate this game from others.
Heroes mode pits the likes of Leon, Claire, and Jill against Nicholai, Hunk, and Ada. The objective is to wipe out the other team’s hero characters. Once a hero has fallen, that player will then respawn as one of the weaker U.S.S. or Spec Ops choices to lend support. The heroes are a little too resistant to damage though, as you can repeatedly hammer on them with headshots from a heavy machine gun or grenade launcher, or knife them for two minutes straight, and they won’t go down. They should be tough, sure, but I’ve had firefights where both teams needed to go refill their ammo multiple times because it was taking so long to kill each other.
Heroes mode can be an interesting change of pace from the rest of the modes, but I think I enjoyed Survivor the most. In Survivor, your task is to wait for a helicopter that arrives at a pre-ordained landing zone several minutes into the match. Once it touches down, four players can try to get on board and escape, but only four, and the survivors are not restricted to a single team. That means it may be all about teamwork at first, but when there’s only one seat left on the helicopter, you may have to leave your comrades behind. Perhaps you accidentally throw a flashbang at them in the chaos to get to the chopper; who knows? Dead men tell no tales….
Raccoon City has never looked quite so bad-ass. While I don’t foresee any Best Visual awards at the end of the year, the dark aesthetics of a city in ruin are executed well enough. Each stage is adorned with dismembered bodies and shiny entrails, and the developers certainly love to set everything on fire. But when your fire effects are good, you might as well take advantage of them.
The character designs are also a serious draw, as the U.S.S. team members have a unique, villainous military style to them. The Spec Ops members are a little more bland on the other hand, as are a lot of the enemies, while the hero characters are all almost pitch-perfect. It makes me yearn for that Resident Evil 2 remake Capcom promised and never delivered on….
Can be enjoyable
Despite its flaws, which you will read all about on the next page, ORC can provide entertainment. I wouldn’t call it a “love it or hate it” game so much as maybe a “hate it or put up with it because you already paid for it and it’s Resident Evil,” but it definitely has its moments. It really is an amalgamation of Left 4 Dead, Resident Evil, and SOCOM, which makes for a pretty compelling experience that I’m glad exists. I just wish it had been done a bit better.
WHAT YOU WON’T LIKE
Poorly designed gameplay
Developer Slant Six Games comes from a long line of SOCOM games, though none of them were considered close to the zenith of that franchise. They’ve managed to capture the bare necessities of a competent shooter in ORC, but also racked up an exceedingly long list of “don’ts” in a multiplayer game. The A button, for instance, is used to do several different actions, including picking up items or reviving an ally. But if your ally goes down next to a weapon or item, you’re going to have to struggle with the game to prioritize the action you really wanted to do. And if you find yourself surrounded by enemies, explosions, or BOWs while trying to do it, expect an unnecessary amount of frustration.
Cheap tactics are easily abused in Versus. If you have a grenade launcher (one is included as part of the Special Edition or available as DLC), you can knock someone else down with your first shot, then rinse and repeat until you’re out of ammo, though they’ll likely be dead much sooner than that. Even if you don’t land a direct hit, the splash damage will throw them back down to the ground again. Likewise, you can infinitely knife any character, so long as you attacked them first. It’s incredibly cheap and a little unbelievable that two basic exploits such as these would be allowed into the final version of the game, as they’re undoubtedly going to be some of the biggest complaints people have (just like Call of Duty’s “noob tubing”).
There are other smaller annoyances, but they quickly add up: not being able to climb over or hop down small obstacles; the hit-or-miss way you take cover; no commands for your brain-dead AI teammates (go here, do this, target that enemy, defend that entrance, etc.); being needlessly restricted to one active ability per match. Again, Slant Six has skated by on the bare necessities, but even if they hadn’t added more mechanics to better fill the gameplay out, they could have at least polished what little exists on the disc.
Unrealized potential (aka “false advertising”)
One of Capcom’s marketing catchphrases for ORC was that you could “rewrite the history of the Raccoon City outbreak.” And yet, despite being a non-canonical “What if?” scenario, the U.S.S. has such negligible impact that the events of this game could *almost* have conceivably happened within the actual Resident Evil timeline.
The interaction with iconic characters such as Leon and Claire, another mainstay of Capcom’s marketing efforts, are surprisingly brief and inconsequential up until the last few minutes of the game, but even then the credits roll without ever giving you the result you were promised. The idea of revisiting one of the most memorable set pieces in video game history and completely disrupting it was undoubtedly a selling point for many soon-to-be purchasers, and they will all be extremely disappointed.
Above: Um, what is going on here?
Last, but certainly not least, even the three-way conflict between the U.S.S., the Spec Ops, and the T-Virus infected has been greatly mitigated in the actual campaign. The six named Spec Ops characters don’t even make an appearance whatsoever during the story. You wouldn’t have guessed that after watching this cinematic (which doesn’t appear anywhere in the actual game, by the way). Instead, you’ll fight wave after wave of faceless government soldiers. Man, I got bored just writing that sentence….
Sloppy and unfinished
ORC is defective in ways I’ve never seen before. To their credit, Slant Six has invented new methods of creating a faulty game. Take, for instance, the final cutscene. Without spoiling anything, there are a number of variations on how the game can end and who will appear during the ending. In one of my playthroughs (I was joined by a writer from Destructoid and two other journalists who can corroborate this), the game didn’t recalculate to take into account who was alive and who was dead; so there was this awkward one-sided conversation where the characters were literally talking to air.
Aside from this “imaginary friends” mistake being allowed into the final retail package–which is baffling–and a general lack of refinement throughout the game, I felt as if there was something missing the entire time I played, but I couldn’t quite place what it was…. Then Capcom announced that a downloadable Spec Ops campaign would be released separately, starting in April. And while we were never promised compartmentalized Spec Ops content, the fact that they were so predominant in the Triple Threat trailer and then completely absent in the campaign (as mentioned above) did stand out as strange.
GamesBeat contacted Capcom for clarification, and the publisher was very specific in saying that only one chapter of the Spec Ops campaign had been announced at this time. Yet x360a.org discovered Achievements on a preview build that points to a full-fledged six chapter offering on par with the U.S.S. campaign.
So I can’t say whether Capcom is withholding content that should have been included in the original game to begin with (as they have with Street Fighter X Tekken), but I can say that if the Spec Ops missions were available now, the entire game would feel a lot more well-rounded and valuable. Not that it matters anyway, as there’s almost no story, character development, or meaningful dialogue provided in the U.S.S. campaign, I can’t imagine that will change with the Spec Ops.
Technical issues online
While the offline game is more or less technically sound, everything falls apart once you connect to other players. To be fair, I’ve had a few matches go off with no major hiccups, but the majority of the time the game is overrun with sizable issues. Zombies seem to be the main offenders, often grabbing you from across a room, or lagging all over the place, though it happens with other players too. Aiming, melee attacks, First Aid heals, and bullet hit detection can and will also go wonky far too often, and some players are already reporting a slew of other problems that I didn’t personally encounter.
Cannot edit characters outside of matches
Although Slant Six’s handling of the endings in particular was jaw-droppingly bad, the single biggest oversight in this entire game is undoubtedly the way characters are edited. To edit the U.S.S. squad, you can start a campaign “match” by yourself and freely change their weapon loadout and select/purchase/upgrade abilities to your heart’s content. However, to edit the six members of the Spec Ops team, you’ll need to enter an active online multiplayer match. This poses a number of problems, not the least of which is that you won’t always end up on the team you wanted. You also have only a matter of seconds before the match begins, and that’s assuming someone else didn’t pick the character you needed to edit, as otherwise that will prevent you from selecting them altogether.
Heroes are even worse, as they can only be accessed randomly in a single mode. Unless you have a lot of friends to create a private match with, you could go hours and countless matches before you get to play as your favorite character from Resident Evil 2 or 3.
This all should have been doable from the main menu.
Between the disappointment of the squandered potential and the frustration of the poor design and technical deficiencies, I can’t recommend buying Operation Raccoon City. However, I would suggest cautiously checking back in a month or two when the game has hopefully undergone some much-needed patchwork, a price drop, and the full Spec Ops content is made available. There’s a decent amount of enjoyment to be had, but Slant Six and Capcom didn’t take the time to package it properly, nor did they ensure all the important pieces were included.
Resident Evil: Operation Raccoon City was released for the Xbox 360 and PlayStation 3 on March 20, 2012. An Xbox 360 copy was provided by the publisher for the purpose of this review.
Check out GamesBeat’s Resident Evil: Operation Raccoon City guide for tips, exploits, collectibles, and secret achievements!