Irrational Games made a great character out of Elizabeth, but her design has a few critical flaws.
stories by Thomas Ella
Something’s off about the early hours of Dead Space 3 — and it’s not a good sign.
Jetpack Joyride applies almost a decade’s worth of game psychology to create an addicting experience.
Rayman Origins is so full of joy and whimsy that it’s tough not to fall for its charm, but the last stretch of levels is way too hard.
So I bought a Vita two weeks ago, and I love the thing to death. I’ve been having a blast with Rayman Origins, Frobisher Says!, and WipEout 2048 among other games, but really, I bought it for Lumines: Electronic Symphony.
These oversights are what’s keeping Far Cry 3 from being the best game of the year.
Guys, I’m hooked on Far Cry 3. Seriously, somebody pull me away from this thing. I’ve beaten the story, cleared out all the outposts, and collected all the relics, letters, and memory cards. And now I’m considering starting it all over again because there’s no one left to kill.
I don’t even know what I’m looking at anymore. How can I possibly be scared or grossed out if I can’t even tell what it is?