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This is part of our ongoing series about games and trends of one of the most longest-lived eras in gaming’s history — the Xbox 360/PlayStation 3 generation.
As we wave goodbye to this console generation, it’s worth taking a look at some of the coolest things the game industry brought us over these past eight years. We definitely saw a lot of changes, and this was possibly one of the most eventful round of consoles in a long time. We saw motion control. Digital distribution became mainstream over the past few years. Mobile gaming gave handhelds some serious competition. Whether or not you were a fan of some of these, it’s likely that they’ll have a significant impact on how we buy and play games for the foreseeable future.

Motion control makes gamers out of everyone

Playing Wii

Above: The Wii attracted fans of all ages.

Image Credit: Izismile.com

The Wii isn’t the first console to feature motion controls (we all try to forget the Power Glove was ever a thing), but it’s the first to popularize the idea and do it well. Nintendo’s Wii became such a success that rival console makers Microsoft and Sony introduced their own motion control solutions. Sony launched the PlayStation Move and Microsoft brought us Kinect. Perhaps the most interesting thing that came of this was casual gaming. Players used to traditional control methods saw it as a gimmick, but the ease of control turned the uninterested into full-fledged gamers. Below is a cute video of elderly folks in a hardcore Wii Sports Bowling tournament.


The Wii continued to outsell the Xbox 360 and PlayStation 3 during its first years on the market. It’s lost a lot of its steam, but it managed to hit the 100 million mark earlier this year.


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The rise of digital distribution brings convenient ways to buy games

PlayStation store

Above: The PlayStation Store is an online marketplace for gamers.

Digital distribution isn’t a new idea, but increased hard drive space in consoles and the availability of faster Internet connections have made it much more viable. Online outlets like Steam and Apple’s App Store helped push it along. Now, it’s not uncommon for a console game to release in both digital download and disc format. Publishers and developers seem to approve, especially since it cuts back on the used games market. Retailers still try to make their share by selling download cards for some of these digital releases. Even Nintendo, which was always shy with its online strategy, noted that its digital sales are up this year.

Independent developers are feeling the love


Above: Indie game Braid launched in 2008 and went on to win many awards that year. It launched designer Jonathan Blow into fame amongst gaming fans.

In the past, being an independent developer pretty much meant you were working on PC or Flash games. Currently, indies get plenty of love, especially on consoles. Digital distribution now makes it easier than ever for a small team to create and release a game within a budget they can afford. Sony has made it a point to show its support for independent studios during its PlayStation 4 conference. Developers will undoubtedly see continued success. Moving into this next generation, Sony wants more indie developers, and Microsoft will eventually wants the retail Xbox One to function as a dev kit.

Online multiplayer is now a requirement

Playing online with buddies is something PC gamers have done for years. This wasn’t such a big thing for console gamers before Xbox Live. Back then, it felt more like a feature. However, with the introduction of the Xbox 360, PS3, and Wii generation, online multiplayer became a requirement for any competitive game or shooter. Just check out how upset some folks were when games didn’t offer online multiplayer. Maybe they’re not the majority, but they are definitely a vocal crowd.

Crowdfunding gives developers a way to bypass publisher control

Mighty No 9

Above: Mighty No. 9 raised well over its initial funding goal.

Developer Double Fine showed us how successful a crowdfunding campaign can be when it shattered Kickstarter records for its Adventure game. A team of veteran Mega Man developers raised $3.8 million for Mighty No. 9. Fans fund these games by donating their money in hopes that the developers deliver the final product as promised. This also eliminates the need for publisher funding, which, in turn, means that the developer has full control over the final product. Sometimes they meet expectations, and sometimes they don’t. We’ve also learned that not every Kickstarter is destined for success.

Mobile gaming gives handhelds some serious competition

Bad Piggies

Above: Bad Piggies by Rovio, developer of Angry Birds.

Mobile gaming has reached a level where it competes with dedicated handhelds. Not long ago, mobile devices were pretty much limited to playing Snake or Breakout. The N-Gage was a cellphone designed for gamers, but it turned out to be a colossal failure. When Apple launched the App Store, it became a huge success. The iPhone became an unexpectedly popular gaming platform thanks to the availability of development tools and an abundance of eager game makers. From the looks of it, mobile gaming is cutting into the revenue of traditional consoles and handhelds. Mobile games are part of the reason we have seen an increase in digital distribution and indie games. One or two dollar games are perfect bait for impulse buyers, and they are readily available through online stores.

The rise of free-to-play makes some developers rethink sales models


Above: Above is a list showing some of the top in-app purchases for Plants vs. Zombies 2 for iOS.

The free-to-play model involves releasing a game as a free download but selling extras to players who want more out of it. For instance, a developer will offer a free racing game for the iPhone but sell additional cars and race tracks for $1 or $2 each. These microtransactions add up over time, and a game that may have otherwise brought in a few dollars as a one-time purchase can bring in much more from a single dedicated fan. Not everyone makes purchases, but the model seems to work well enough for it to continue. Popcap went free-to-play with Plants vs. Zombies 2, and Team Fortress 2 revenues rose when it went free-to-play.

Consoles became all-in-one media centers

PlayStation 3 extras

Above: Gaming consoles became home to several video streaming services such as Netflix and Hulu.

This generation introduced consoles as all-in-one media centers. In the past, gaming consoles were often confined to the kids’ bedrooms. Still, console makers started marketing their machines as Netflix/Hulu video streaming devices and all-around media players. Console owners with an account for any of these services could watch movies and TV shows on their console through their internet connection. Sony and Microsoft made movie rentals and purchases available through online stores. Now, even those who have no interest in gaming don’t mind having a PlayStation 3 in the living room if it means they can watch Netflix without having to connect an extra box to their TV set.

DLC and firmware updates add hours to our games and fixes for their bugs

LittleBigPlanet DLC

Above: Sony’s LittleBigPlanet offered downloadable costume packs, such as the Pirates of the Caribbean DLC shown above.

Downloadable content made it possible to expand a game further than originally conceived. Players could get their fill of Call of Duty multiplayer then download new maps (at a price) when the old ones became boring. Meanwhile, firmware updates mean that console makers can add features and services to their machines. If a game ships with a bug that goes unnoticed, a fix is usually just a downloadable update away. In the past, a bug was stuck on a game forever.

Developers now interact with fans

Cliffy B

Above: Game designer Cliff Bleszinski, best known for his work on Epic Games’ Gears of War series, retweets a Twitter follower’s message.

This has more to do with social networks and services like Twitter than it does with the consoles themselves. Still, like crowdfunding creates a direct link between gamers and the developers, public Twitter accounts make it more possible than ever for famous faces in gaming to interact with their fans. It’s not unusual to see Cliff Bleszinski, famous for Epic’s Gears of War series, respond to a Tweet or hear about Valve’s Gabe Newell replying to an email.

This is not always a good thing. Some developers would benefit from having a public-relations filter to handle angry or abusive comments professionally.

phil fish

Above: Fez developer Fil Fish says he’s done making games. He says it’s a direct result of the negative comments he receives on a daily basis.

Fez creator Phil Fish said he doesn’t want to make games anymore because of this, and Cliff Bleszinki’s posts may rub some gamers the wrong way. As many have discovered on Twitter, all it takes is one stupid public statement to turn your fanbase against you.

Other noteworthy trends that are on the rise

Esports (electronic sports) are a growing trend. While eSports (or competitive gaming) are more limited to a small group of hardcore players, they are seeing increased popularity, and some are even broadcast on television.

User-generated content was a major selling point for Sony’s LittleBigPlanet and ModNation Racers, and Valve released a level editor for Portal 2 in 2012. Minecraft allowed players to imagine and build their own creations as well. UGC isn’t a regular part of how we play games, but it adds enough longevity to any game to make it worth a mention.

Thanks to services like YouTube, video playthroughs of games are easy to create and easy to come by. Some add funny commentary, and some just show incredible, near-impossible accomplishments. Sony is adding a sharing feature to accommodate this. It may be a while before it becomes a normal part of how we play and consume our games, but expect it to grow in the next few years.

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