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Marion Hamplestein is a glass-half-full kind of person. Her warm, motherly voice makes it sound like everything is going to be OK. Just make sure you don’t get any blood on your clothes. She wouldn’t like that.

Hamplestein is one of the many resilient survivors you’ll meet in The Division (out now for PlayStation 4, Xbox One, and PC). The online third-person shooter from developer Ubisoft Massive combines a huge open-world with role-playing game systems. You play as a member of the Division, a secret network of sleeper agents who have to help restore order in New York City after a deadly disease killed a large chunk of the population.

Check out our Reviews Vault for past game reviews.

The online RPG shooter category is quite small, so the only other game The Division directly competes with is Destiny. But Ubisoft managed to avoid Destiny’s major pitfall when it launched in 2014: the lack of interesting content. It took me more than 40 hours to finish The Division’s story. I had a great time just playing through that by myself.


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Sadly, I can’t say the same thing about its multiplayer features. And the new activities that appear after you finish the campaign are tedious at best.

The Division

Above: Grand Central Station and other famous NYC landmarks appear in the game.

Image Credit: Giancarlo Valdes/GamesBeat

What you’ll like

Taking back the city, one block at a time

Describing something as a slog usually isn’t a good thing, but that’s exactly what The Division is — and in this case, it works. Once the city fell, different enemy factions took over Manhattan’s neighborhoods and filled it with their minions. Rescuing a beleaguered city from criminals and other gun-toting lunatics isn’t an easy task.

Your first introduction to this violent world are the hoodie-wearing Rioters, who attack wildly with baseball bats and handguns. Soon afterward you meet the Cleaners, a cult-like group that believes the only way to get rid of the disease is to burn everyone — living or dead — with napalm. In other parts of NYC, the well-armed Rikers (escaped convicts from the Rikers Island prison) are in control. They usually have people who charge toward you with shotguns and at least one sniper who’s waiting for you to stick your head out of cover.

The most dangerous faction is the Last Man Battalion, a private military company with soldiers that have almost all the same fancy weapons you do. They try to outflank you or use automatic gun turrets to make your life a little harder.

The Division kept testing me with different enemy configurations and strategies, which forced me to try weapons and abilities I wouldn’t have used otherwise. I never felt bored or overpowered. Though the fighting can be unrelenting, it makes the quieter moments in the game that much sweeter.

Your actions matter

RPG systems (like earning levels, new skills, and weapons) are often about improving your character. The Division doesn’t stray from these conventions, but it does add one more layer of complexity with the base of operations. The base is a physical manifestation of the player’s progress. At first, it looks like a mess, and it doesn’t have enough resources to help civilians. But as you go on story missions and spend time upgrading the Medical, Security, and Tech departments, it will start to look like a livable place. Survivors will flood in as the ad-hoc facilities improve, making it feel less like a military outpost and more like a neighborhood.

The base is an excellent way of illustrating that your actions — beyond getting experience points and better loot — matter. You’re actually creating a community.

I often returned to the base to see if the people were doing anything new or having different conversations. I once overheard a man talking about getting back together with his ex-wife, saying that they’ve become better, more mature people because of their harrowing experiences. One woman tends to sit by herself near the base’s Christmas tree while strumming a sad tune on her guitar. I even enjoyed watching someone selfishly demand more medical supplies, because this felt like a real thing that’d happen in a situation like this.

These characters don’t have names and their stories are simple, but together, they made me feel like I was having a positive impact on their lives.

The Division

Above: Times Square’s obnoxious ads somehow survived the apocalypse.

Image Credit: Giancarlo Valdes/GamesBeat

Rebuilding New York City 

The story is light enough that you can play through the game with your friends without worrying about a ton of cutscenes and dialogue getting in the way. But what’s there is meaty if you’re willing to dig for it. The three wings of the base also represent the three different story threads, and completing their respective missions lead to new revelations in the form of audio recordings and video footage. You’ll learn more about the origins of the virus, the leaders of the enemy factions, and any other sinister forces lurking in the shadows.

Additionally, dozens of miscellaneous items hidden throughout the city provide even more details about the story. Collectible cellphone recordings, laptop files, and augmented reality “echoes” give you snippets of people’s lives. They aren’t essential to understanding the story, but I felt compelled to find as many of them as I could.

The downside of this piecemeal storytelling method is that it doesn’t spend a lot of time on the main cast. But it was effective enough to make me care for the city as a whole: NYC is undoubtedly The Division’s best character. It’s beautiful to walk through, especially at night with heavy snowfall or when a fog comes in that’s so thick that you can’t see more than a few feet in front of you.

One of my favorite moments was when I came across a couple looking out of their second-floor window. They were talking about how they were going to handle the birth of their child without any hospitals being around (the wife was three-months pregnant). In the end, the husband hugged his wife and repeatedly told her that they were going to be just fine.

The Division

Above: Each Echo is a short story that shows you how certain people lived or died.

Image Credit: Giancarlo Valdes/GamesBeat

The BB-8 from hell 

As you upgrade the base, you’ll unlock an assortment of destructive gadgets that transform you into a more efficient warrior. While I had fun using most of them, they all pale in comparison to the Seeker Mine.

It sort of looks like BB-8 from Star Wars: The Force Awakens: When deployed, the spherical Seeker Mine will follow you around and speak to you in melodic chirps. But once it sees a hostile enemy, it gets angry. The mine’s two little green lights turn red, and it makes a beeline toward its victim. It’s a funny reminder that this cute little robot is actually a sentient ball of death filled with enough explosives to level a small house.

What you won’t like

Open-world imperfections 

As great as some of the personal stories can be, dialogue or animation bugs (and perhaps an odd design choice or two) easily ruin what are supposed to be emotional situations. I lost count of the number of times I saw the same man and woman in different parts of the city bartering with each other; the woman always gives him the last half of her PowerBar. Another awkward moment occurred when I saw Rikers harassing what looked like two friends. The Rikers shot and killed one of them, but instead of running away, the other person stayed quiet and calmly walked into a building as if nothing happened.

The outcome of a specific side mission still bothers me. I had to find a missing woman who had a personal connection to Dr. Kandel, one of the main characters who works at the base. Dr. Kandel told me she was really worried about her. After about 30 minutes of searching, I found the missing girl alive and well.

The obligatory “mission complete” message popped up with all the promised rewards and experience points, but I heard nothing from Dr. Kandel. Not even a sigh of relief or a thank you. It was disappointingly anticlimactic.

The Division

Above: Setting someone on fire is an excellent way to distract them.

Image Credit: Giancarlo Valdes/GamesBeat

Fighting face-to-face

Most of the fighting comes down to putting some distance between you and your enemies. It’s when the bad guys suddenly close that gap that The Division’s combat mechanics run into some trouble. Even with access to shotguns and handguns, I was useless if someone managed to get within a few feet of me. The one melee attack you have — shoving the butt of your gun into someone’s face — can temporarily prevent them from reloading or firing their gun. But it’s not strong enough to kill them unless you already softened them up with bullets beforehand.

Dodging wasn’t really effective, either. On the Xbox One controller I was using, rolling away and taking cover both use the A button. So when enemies surprised me up close, I’d blindly roll toward my monitor and sometimes wound up sticking to a wall or other piece of cover by accident. And then I’d take a ton of damage as I tried to get out. It doesn’t help that the time it takes to peel away from cover is just a split-second too long for these close encounters.

Being a mute 

Instead of playing as a specific Division agent, you create your own character. One thing you can’t do, however, is make them speak. I didn’t mind this at first. But when I finished the story, it became clear that going with a silent protagonist was a mistake.

Division agents are seemingly ordinary people who don’t know they’re agents until the government activates them. The narrative gives some insight into their lives through two of the main characters, but their perspectives just left me with more questions. What happens to agents after a conflict is over? Are they allowed to return to their normal lives?

It’s an interesting psychological dilemma that The Division doesn’t really explore, and making your hero a mute removes any potentially cool storytelling possibilities. I want to know what my guy thinks of all this, what his job was before the virus hit, and if his friends and family are still alive.

It was weird to be in control of such a blank slate, especially because Tom Clancy games pride themselves on telling stories with some semblance of realism. A character who acts more like a Terminator than a person is way more unrealistic than any hi-tech gadgetry Ubisoft can come up with.

The Division

Above: Most cutscenes end up being one-sided conversations.

Image Credit: Giancarlo Valdes/GamesBeat

Waiting for your friends to catch up

If you plan on playing with your friends (up to four players can form a group), make sure you all stay within one or two levels of each other. Players at low levels will have a harder time if their buddies are significantly stronger than them. I found this out when I joined my friend’s group for the first time: I was level 29, he was level 19, and when The Division crunched the numbers to balance the difficulty, it started throwing level 24 enemies at us.

I actually found this kind of funny at first, but my friend had a rough time. He definitely wasn’t amused. The only way he could survive was by staying way behind me while I attracted the bad guys’ attention.

It’s hard enough to schedule a time when my friends and I can play together, so having to also worry about different levels just made cooperative multiplayer useless until we all hit the level cap (30).

Dark Zone drudgery

The walled-off Dark Zone is The Division’s take on player-versus-player combat. In the story, it’s a no-man’s-land where the disease hit the hardest, a place that even Division agents couldn’t save. It supposedly holds some of the best loot in the game, but you’ll have to work for it: both computer-controlled enemies and real players populate the Dark Zone. Death is more punishing, too. When you die, you drop any new gear or weapons you might’ve found, leaving it open for other players to pick up.

Initially, the Dark Zone is great. It’s more dilapidated than the rest of the city, with noticeably more body bags and burned-out cars and buildings. It’s a scary place. The enemy factions tend to fight each other, so it’s not uncommon to suddenly stumble into a battle between dozens of high-level Rioters and Cleaners. If you’re going in solo, it’s hard to know which player you can trust. I’ve met plenty of people who killed me on the spot and took whatever money and loot I had.

But the more I spent time in the Dark Zone, the more I wondered if all the effort was worth it. To bring the loot back into the main game, you have to call in a helicopter to extract it. This alerts other players and enemies to your position, so you can easily be outnumbered and lose all your hard-earned items before the chopper even arrives. While I like the risk/reward aspect of that process, the problem was most of the loot wasn’t that good. Out of all the things I collected, maybe 20 percent was actually useful in upgrading my character’s stats; the rest I just sold or broke down for resources.

At level 30, it was almost impossible to make any meaningful progress by myself, so I used the matchmaking system to team up with strangers. It worked maybe half the time. Other people would kick me out of their groups (probably because my character was weaker than their guys), or the group would suddenly disband as the remaining players left, or I’d become the leader of a new party and have to wait a couple minutes for it to fill up.

Oh, and The Division also has a lengthy loading screen that pops up every time you join or leave a group. I could go on and on about how frustrating Dark Zone matchmaking can be.

The Division: Dark Zone extraction

Above: Extracting supplies in the Dark Zone.

Image Credit: Giancarlo Valdes/GamesBeat


In spite of my emotionless hero, Ubisoft Massive’s dystopian version of New York City is absolutely gripping. It’s sprawling, tense, and dripping with cool stories. The Dark Zone had the potential to build on that atmosphere with the addition of real players, and in some ways, it succeeds. But I hated jumping through so many hoops just to find a team to play with. And once I was inside, the loot I extracted was underwhelming.

Making it worse is a rash of glitches that enable players to get powerful gear quickly and easily. This throws Dark Zone encounters way off-balance as those exploiters prey on the weak. I haven’t run into those people yet, but I can definitely understand why that’d be so maddening.

The Division is in a weird spot. While the story campaign is fantastic, the end-game content is disappointing, even without factoring in the hackers and the bugs. I still play the game a few times a week because I love being in that world. But I’m not sure how much longer that infatuation will last.

Score: 75/100

The Division is now available for PlayStation 4, Xbox One, and PC. The publisher provided GamesBeat with a PC code for the purposes of this review. 

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